19169
blog,paged,paged-2,stockholm-core-2.4,select-theme-ver-9.5,ajax_fade,page_not_loaded,,qode_menu_center,wpb-js-composer js-comp-ver-6.10.0,vc_responsive
September 14, 2023 In Art

Inquiry about Forgotten Birds Collection

 

 

 

 

 

 

 

 

 

 

Last year I featured Iranian artist Tina Rouhandeh on Instagram and details of a piece from her forthcoming exhibition ‘Inquiry about Forgotten Birds.’ Tina is now based in Canada but she still has a deep connection with her homeland. Inquiry about Forgotten Birds is now complete and is a collection of work about human rights violations in Iran since 2018. Growing up with discrimination of Iranian Baha’i community she “witnessed how discrimination and injustice increased until [it] covered the entire society, causing an undeniable feeling of suffocation and uncertainty about the future”

 

Comprising of five main works, each piece took at least seven month each to create. Many of the art woks are created using bullion stitches, a technique twisting a thread around a needle several times before inserting it into the fabric. There are 3.500 stitches in one piece. “Each stitch represents one individual, and each twist around the needle signifies the prayers of their loved ones for them.”

 

Inquiry about Forgotten Birds is exhibiting at Art Windsor Essex, Ontario until October 1st. To find out more visit http://www.tinarouhandeh.com/    

https://artwindsoressex.ca/exhibitions/tina-rouhandeh-inquiry-about-forgotten-birds/

September 4, 2023 In Exhibitions, Textile Art

Michele Landel Exhibition

 

Michele Landel

Images: Nobody #5; Nobody #6; Self Portrait #8; Gather a few Stones, all photograph, fabric, thread and varnish, 2023.

 

 

Michele Landel is an American textile artist who has lived in Sèvres, France since 2005. Watering the Stones is a collection of work from a residency she experienced earlier this year in the desert mountains of Spain. The area was so quiet she “discovered the soft sounds of nature, the clean colour palette of the land, and the engaging beauty of the place.”

The work centres on organic and non organic items such as discarded sticks and a broken watering can she found in the fields. Michele took photos combing human and natural debris creating poetic images which she printed and quilted onto bedsheets. Bedding is an item signifying comfort, resting and healing the images take on a soulful quality. “On the bedding, the forms and shapes become sensual and soulful. The material activates tactile memories.”

 

Watering the Stones by Michele Landel is exhibiting from 15th – 30th September at Le Salon Vert and is part of the first Geneva Art Week. For more information visit www.salonvert.ch.and www.michelelandel.com

 

August 28, 2023 In Art, Textile Art

Tapestry meets Architecture

      

Under the Milky Way tonight … by Multiplicity

 

Counterpoint by Adjacency Studio

 

Fata Morgana by Yiling Shen and Yuchen Gao

 

 

Solstice by Beth George and Emerald Wise

 

Once Upon a Time by Studio Orsi

 

I’ve just returned from a holiday in Australia and one thing I love is the large-scale tapestries adorning public buildings. Tapestries hang in government buildings in the capital and even my local library when I lived in Sydney. Many of these are created by The Australian Tapestry Workshop (the ATW) which has woven contemporary tapestries since 1976. Their weavings aren’t just limited to public spaces in Australia. They have found their way to public buildings around the world including in Singapore, France and Bombay. 

The ATW has lots of events in its calendar including The Tapestry Design Prize 2023 for Architects. Now in its fifth year, this prize encourages “innovation and visionary thinking by challenging architects to design contemporary tapestries.” Offering a $10,000 prize it attracts entries from Australian and international practices. This year the brief was to create a tapestry for the award-winning Bundanon Art Museum.

For professionals who dedicate their careers to designing spaces that often appear like a work of art, seeing their rendering of potential tapestries that introduce softness to angular buildings is fascinating. Some entries such as Once Upon and Time by Studio Orsi use the image as a canvas. Others including Jesse Osadczuk with Under the milky way tonight.. hang within the gallery space to become an almost immersive experience. Here are a few of the finalists and I’ll let you know the winner when it’s announced in early September. 

The Tapestry Design Prize for Architects 2023 is generously supported by Metal Manufactures Limited, Architecture Media and Creative Victoria. To find out more visit https://www.austapestry.com.au/

August 6, 2023 In Textile Art

Joyful Embroidery course with Fleur Woods

It has never been easier to learn a skill or brush up on techniques online

Creating textile art can be a very personal journey. The time it takes, the slow reveal and the meditative quality of the practice all allow you to retreat into your own creative world. When the basics are mastered it is possible to pick up techniques by trial and error. So when I was offered the chance to take an online course I was interested to see what it involved. 

Fibre Arts Take Two features beautifully filmed in depth courses by professional artists. I was drawn to ‘Joyful Embroidery,’ by New Zealand contemporary embroidery artist Fleur Woods. This was partly as I love her colourful work, and partly from curiosity to see how an embroidery course could hold my attention. 

 

                                        

Aiming to demystify the process, Fleur has created ‘the course she wished she had when she was starting out,’ and what a great course it is. Fleur takes you through basics including how to do certain stitches and how long your thread should be, to elements that help more experienced stitchers such as dying fabrics, creating compositions and layering your work. 

Split into 10 modules with bonus material, each topic is divided into easy to delve in sections. These include Punch Needle Textures, Collaging with Textures and there are also recorded Q & A sections. If you are feeling isolated in your practice or you want to connect with others you can share your work on the global Facebook community.

As well as filming in the studio it shows Fleur in the stunning New Zealand landscape and the combination is both informative and relaxing. For some modules I took notes or picked up little tips, others I had on the background while I created my own work. Fleur is a great teacher and is so open and keen to share ideas at the end of the course you almost feel like you are old friends. 

Fibre Arts Take Two release courses at different times of the year covering a range of genres. If you’re looking for a professionally filmed and produced online experience with eight weeks of tutor interaction, live Q&A’s, and lifetime access, Joyful Embroidery is worth the investment. You’ll find elements to introduce into your practice, or if you are completely new to a topic it really can give you the skills and confidence you need to begin your textile art journey and flourish. 

 

https://www.fibreartstaketwo.com/courses/fleurwoods/

https://www.fleurwoodsart.com/