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Textiles take to the streets with craftivism

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[Images courtesy of Betsy Greer and the ‘You are so very Beautiful,’ drop at Baltimore]

 

 

Definition of craftivism: ‘a way of looking at life where voicing opinions through creativity makes your voice stronger, your compassion deeper and your quest for justice more infinite’ Betsy Greer

 

 

Creating something often brings more pleasure than owning the finished piece, and now there is an outlet for all of your creativity.  ‘You are so very Beautiful,’ is a project originated by Betsy Greer, the ‘godmother of craftivism.’ Make a positive affirmation no bigger than the size of your palm starting with the words ‘you are’ and send it to Betsy or find out how to create your own drop where you live.

The benefits of doing so can be two fold. Not only are you adding to a cause, but sometimes samples you weave, sew or knit for a larger piece are often redundant once they are made. Try adapting them to give you the knowledge you need for your final work then send them onto a drop to spread a little happiness. We caught up with the lovely Besty to find out more about her and the project.

 

 

What is your background with craft and textiles?

I learned how to cross stitch from my grandmother during a visit to her house. We went to the store and I picked out a bookmark with a cow on it that I gave to my mom. I learned how to knit when I was living in New York City in 2000 because I wanted to volunteer with older people and thought that it would be the perfect thing to learn, something we could do together. Little did I know it would lead to learning to knit in a cool knitting circle! So I’m both community taught and self taught.

 

When did you start the site and why?

The spring of 2003. No one was using the word craftivism and I wanted a way to track its usage. So, BOOM, a baby site was made! If you had told me the term would be worldwide 13 years later I would have laughed at you. Now it’s a place where people hopefully can come to learn more about the term and how people interpret it. It’s funny there’s no road map when you create an -ism, so I just decided it was my job to be a godmother to it.

 

Although Craftivism encompasses all kinds of craft, what is it about textiles that lends itself to the cause?

Textiles are so personal, so tactile, so portable, so beautiful. That they have all  these things at once and go back thousands of years makes them pretty potent in terms of cultural value. Add on the fact that women were taught textiles for centuries and it becomes even more layered. With all this weight and cultural value, it is perfect for craftivism, which also has weight and cultural value.

 

Can you briefly explain the concept behind ‘You are so very beautiful.

At first I started writing affirmations for a daily app that asked questions every morning and night so you could track what you did. I started thinking they were kind of dumb, but over time I began to really like that question each morning, asking myself, what do I need to remind myself of today? Then I realized that if I stitched signs that had affirmations I needed to tell myself or perhaps wanted to tell others, I could heal myself in the making of them and then heal others in them finding them, in the hopes that whomever needs to find that message stumbles across where I left it.

 

What countries has it featured in so far?

The U.S., England, and Canada. There will be a drop in Australia in April!

 

If people want to contribute towards it what’s the best way to do so?

To learn more about how to participate, check out http://craftivism.com/yasvb

To learn more about what the project is, go to http://craftivism.com/youaresoverybeautiful.

For any questions, feel free to email me directly at betsy@craftivism.com.

To see what other people have made, check out the hashtag #yasvb on Instagram here: https://www.instagram.com/explore/tags/yasvb/

 

Follow us and artist update

TRIPTYQUE

Last year we were lucky enough to feature french tapestry artist Marie-Thumette Brichard in our first online exhibition. We recently caught up with her to see what she had been working on. As well as a solo show exhibiting all of her tapestries and collages from the last ten years, she has been weaving several mini-tapestries something she describes as “fun and interesting,  like drawing.” One of her latest pieces is the large Triptich (featured above), each tapestry measures 1 m x 1.3m. Marie deliberately didn’t give it a title, “this way everyone can see what they want. They are about drawings and links made by the waves when they hit the rocks.”

You can see this image on our brand new Instagram account which we will update each Monday and when we see something worth posting. We update our blog and Facebook  page every Monday for our ‘Inspirational Monday,’ post and we aim to have an exhibition of three textile artists at the beginning of each month. Check out our new Instagram account here, and please  follow us as the more people who know about us the more we can ‘wake up the world to contemporary textile art.’

 

Instagram

Video of amazing tapestry from start to finish

We were lucky enough to interview tapestry artist Kristin Saeterdal recently and although everyone realises the amount of talent and commitment it takes to weave a huge tapestry, this three minute video proves it.  ‘Remembrance of the Sun, How it was Made’ condenses 400 hours of tapestry weaving into under three minutes and also shows the whole process including drawing the sketch, dying the yarn and cutting the finished piece from the loom. Check out our Facebook Page or Kristin’s website to see the video.

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50 amazing quilts on a theme

Quilter Luke Haynes first told us about his ‘Log Cabins of Donald Judd,’ exhibition plans almost six months ago when we featured him. Making 50, 90 inch square original quilts is not an easy task and we’re thrilled to say he’s done it!

The log cabin is the first repeatable quilt block and the theme was inspired by the Donald Judd installation in Marfa at the Chinati foundation ‘100 untitled works in mill aluminum, 1982-1986.’ “The basic idea is that I have made 50 quilts iterations of the ‘log cabin’. All different variations with the same language, all red centres with white and black fabric,” Luke explains. “All the fabric is used textiles. so the patterns and language of the details are dictated by the range of ‘black,’ ‘white’ or ‘red’ that I have access to in the form of used garment/textiles. But will all read as graphic compositions in black and white.”

The exhibition has just finished at Crafted at the Port of Los Angeles in L.A but here are some images. Also the quilts are for sale through Luke. The plan is to take the exhibition around the world so we’ll keep you posted. Happy quilting.

 

LCoDJ     Luke      Luke Haynes

 

Cool Collaborations

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Collaborations between artists and fashion companies have been the norm for a while now, but it’s unusual to see artists who use textiles

which is what makes Ben Venom’s work with Obey Clothing all the more noticeable. Check out his range of t-shirts at www.obeyclothing.com/collections/ben-venom-artist-series.

There is also a great video to go with it explaining his inspiration and Ben working on one of his epic quits, take a look at our FB page.

Grayson Perry exhibition at Sydney’s MCA

Comfort BlanketThe Walthamstow Tapestry (2009) Grayson PerrDetail from Comfort BlanketBritain in Best - Grayson Perry

If you are anywhere near Sydney it is well worth a visit to the MCA to see ‘Grayson Perry – My Pretty Little Art Career.’It is the artists’ first major exhibition in the Southern Hemisphere and is a colourful collection of his ceramics, prints, paintings, sculptures, sketchbooks and of course his tapestries.Each of the nine tapestries is a visual feast of cultural, political and artistic references. If you missed his ‘The Vanity of Small Differences,’ exhibition, they are all here, as is the astonishingly huge 15 m ‘The Walthamstow Tapestry.’ It was also lovely to see the quirky ‘Britain is Best,’ which stood out to me as it is hand embroidered. It is a real treat to see textiles on such a large scale both physically and popularity wise. For more images visit our Pinterest page.

Grayson Perry – My Pretty Little Art Career runs until 1st May 2016.

February exhibition showcases three dynamic textile artists

2015_Venom  Kristin Saeterdal  Matthew Cox

(Top image: Ben Venom in Kimball Gallery, photo by Randy Dodson)

 

Two of our artists this month take a look at popular culture. Quilter Ben Venom takes inspiration from music, tattoos and the occult, while Norwegian tapestry artist Kristin Saeterdal cites Science Fiction and computer games as part of her visual references. Using these as the foundation for their work brings textiles bang up-to-date and the vibrancy of their art leaves no question that the medium of textiles can have far more impact that just paint and a canvas.

 

Speaking of canvases, Philadelphia-based Matthew Cox uses the unlikely material of x-rays as his starting point. Proving that less is more, his careful stitching highlights the fast pace of technology and photography against the slow hand-made. We’ll be taking a further look at his new range of work ‘Fragmented Hosts,’ in an upcoming blog.

 

 

Video of 400 hours of tapestry weaving

For those of you from Australia, Happy Australia Day for January 26th.

This week we have a video from fellow Australian textile artist Diana Wood Conroy.

She is in our current online exhibition and her tapestries take around 400 hours to complete.

For a glimpse of what 400 hours of tapestry weaving ‘What must I do now?’ (shown below) looks like,

visit our Facebook page or www.dianawoodconroy.com to watch the time lapse video.

 

Diana Wood Conroy tapestry What must I do now

Review of Slow Stitch: Mindful and Contemplative Textile Art

slowstitch     Image form Slow Stitch Image from Slow Stitch

Let’s face it, textiles isn’t the fastest form of creativity so when I read ‘Slow Stitch: Mindful and Contemplative Textile Art,’ by Claire Wellesley-Smith I was quite intrigued about what angle it would take. It begins by explaining the origins of the Slow Movement which started in the mid 1980s as a reaction to multi-national fast-food companies. It then spread to different genres and as Claire sums up it is ‘doing everything as well as possible, instead of as fast as possible.’ This rings true with most people who enjoy textiles and so starts an enjoyable book.

As well as looking at materials and techniques it touches on the history of textiles, illustrating projects and different techniques including Kantha (a quilting technique found in India, Pakistan and Bangladesh) and Piecing and Patching (with a back to basics Log-cabin patchwork project). Including work by contemporary textile artists scattered throughout there is also a how- to section on beginning a stitch journal so there is plenty to inspire.

If you’re looking for something bold and colourful with a contemporary edge, this isn’t the book for you. However, for a book to make you stop and think, and learn about different cultural techniques as well as projects to follow, you can’t go wrong.

For more information visit www.batsford.com

 

Lou Gardiner’s Inspiring New Video

 

Lou Gardiner 'You Blow Me Away' No. 5

It’s always inspiring to see how other textile artists work and Lou Gardiner has a fabulous new video showing just this. She talks about how addictive embroidery is which is something anyone keen on textiles can relate to. If you’re considering embarking on a project watch this and you’ll be threading your needle in no time. See her in action on her webpage www.lougardiner.co.uk or our Facebook page  www.facebook.com/TextileCurator-330233843768058/

Lou has had a busy six months since we featured her (check out her interview on this site), and is currently exhibiting at Anthropology on the Kings Road in London until 31st of January where ‘You Blow Me Away,’ (above) is on view.

Congratulations to Liesbeth from Wales for winning the competition we launched in December, the prize is Ineke Berlyn’s Shape to Stitch online course.

Have a creative week.