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Ailish Henderson

 

British Textile Artist Ailish Henderson had her hand stitched collage ‘Pistachio Smiles’ translated into a silk scarf. Here is her interesting story behind her work.

“This piece of the artist’s work, quietly questions the impact events experienced have on our ongoing narrative line. Strong memories built in childhood may only come to light decades later, where they can take on new meaning and finally be understood. Due to the artists localised interest in the portrayal of mending, in this portrait there is an underlying vie for, specifically repair within the humanistic emotional context. When married together, this is transposed via the techniques and materials employed. Irish linen as a ‘canvas’ and foundation to work upon, has been sourced and used to give a nod to her heritage, whilst etching techniques and watercolours mixed with the tactile are reminiscent of her lost grandmothers links with the Fine Arts. Using familial ideography juxtaposed with these and other treasured materials; a cross-discipline approach is employed. The artist here vocalises her most personal question to date, how to ‘mend the maker’. It is her belief that across creative disciplines, there can be a form of restoration for the author of works, brought about via the act of making, not the outcome itself.”

 

Photography by Sean Elliot http://seanelliottphotography.co.uk

See more of Ailish’s work at http://www.ailishhenderson.com

 

Student Showcase – MFA Textiles Program at Parsons

 

I talk a lot about the diversity of textiles as a genre and it’s no where more apparent than students work at university. The creativity that comes out of courses is brilliant so I thought it was time to showcase some students work. These students are studying the two year MFA Textiles program at The New School Parsons in NYC.

All of these students are graduating this week apart from Jongbum Kim who is in his first year. They all have lots of information about their work but instead of me explaining it contact them directly if you want to find out more. I’m sure they would love to hear from you.

 

Artists from top:

Jongbum Kim https://www.instagram.com/jongbum.bongba.kim/

Chuyi Sun https://www.instagram.com/chuyisun24/

Hongci Hu https://www.instagram.com/hongcihu/

Jing Li Bista https://www.instagram.com/jinglibista/

Licca Hsiao https://www.instagram.com/liccatextile/

Liz Sandler https://www.instagram.com/liz.sandler/

 

 

Janine Heschl’s top tips for realism in thread

Janine Heschl’s 3 tips for creating realism with thread

 

Janine Heschl a.k.a Textile Wildlife Art’s portraits of endangered animals are so realistic it’s easy to mistake them for photographs. She kindly shared three tips for improving the realism in your own work. You can read Janine’s full interview here and also do check out her website to see more of her work https://www.textilewildlifeart.com

 

1)Trust your eyes

When zooming into a nose of a tiger, you expect to discover several shades of pinks and rose tones, but you may also find dark lilac or hues of blue or a hint or light green in a reflection. Don’t go by what your brain tells you about tiger noses, but what your eyes pick up and be courageous enough to trust that! Adding that light green thread may be that exact detail it needed to create depth. Which leads me to the next tip:

2) Zoom in

Working from a reference photo will allow you, depending on the resolution, to really zoom into your subject. Take the time to familiarise yourself with the patterns, structures, fur growth directions, colours blending into each other… study your subject in the tiniest detail and then translate it into thread. Add that extra layer of highlights, even if it is just 3 single stitches. Add that turquoise dot in the reflection of the eye. 

It takes practice to pick up the smallest features and characteristics, but it will make all the difference in the end. Which again leads me to the next tip

3) Bring patience and passion to the party

Working on realism is time consuming and sometimes tedious. You can get trapped in details and forget to pay attention to the bigger picture, which eventually will become your masterpiece. So it is important in the beginning to be patient with yourself, to pace yourself and to pick a subject that you are passionate about, to make the joy last for the entire process. Pick an animal you are passionate about, then pick your favorite feature of it – an eye, the nose, fur pattern or feathers, and then focus on that selection. Don’t start a full lion embroidery, but scale down and start teaching your eyes to pick colours from the reference and find that colour in your thread collection. This also makes a fantastic excuse for buying more thread, if you were looking for one. 

By working on something you feel you have a connection with, you will be able to keep yourself motivated and interested, being able to push through more difficult areas and learning as much as possible. It won’t leave you overwhelmed but empowered in the end.

Covid Nomad by Keren Lowell

 

Textile artist Keren Lowell moved from Alaska to Colorado at the beginning of the pandemic. Before she moved she shed most of her personal possessions. Like most of us she had time to reflect, and she listed all of the places she had lived through her life which reached over forty. She then revisited her memories going through letters, maps of her travels,photographs and asking her parents about stories from her childhood and put these into her project.

 

“I can’t travel and move around physically during this time of relative isolation and social distancing, but I have been nomadically traveling through these memories, journals, photographs, maps and stories from my parents and siblings.”

 

Sewn from remnants from a number of sources including her sister’s wedding dress, she also included a large abstract  map of everywhere she had travelled and lived.

 

Covid Nomad was exhibited as part of ‘Fragile Domestic,’ at the Bunnell Street Art Center

and you can find out more about Keren in the interview I did with her a few years ago here