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Archana Pathak

        

 

Archana Pathak uses heat transfer to print an image of a found object onto fine cotton. She then cuts it into thin strips and uses this as her thread or ‘fabric lace.’ The starting point behind each art work is fascinating. Here she explains the concept behind the images above, Transcient Boundries and I Can See You But Can You See Me …. 

 

“Transcient Boundries is exploring the artificiality of transient boundaries through a found old Paris Map and uses linen for the base fabric and transfer print and stitch.”

 

“I Can See You But Can You See Me (above) is based on a beautiful found portrait photograph with a playful hand-written note –‘I can see you but can you see me?’ on the back. The picture and the hand-written note complement each other strikingly, while the captured moment can have many interpretations. Again linen was used for the base fabric and use of repetitive running stitch with printed lace of original found artifact.”

 

Check out Archana’s feature page for more.

 

Machine embroidery

         

Our featured textile artist this week is Arun Kumar Bajaj from India. He started machine embroidery 12 years ago and has been creating ever since, gaining him the name ‘The Needle Man’. While a lot of his work is of traditional scenes it is his portraiture that caught our attention. He often tries to use as few thread colours as possible which gives the pieces a mesmerising quality. Incredible!

To see more visit http://bajajart.blogspot.my 

 

Spanish textile artist Yolanda Relinque

 

Images from left: Pulmones, 2016; Costillas / flor, 2017 – both textile sculpture paper and glass. Jaula, 2015, sculpture textile and metal.

 

Yolanda Relinque is a Spanish artist based in Marbella. Her work has been exhibited in galleries and art fairs worldwide including Germany, Morocco, France and Argentina. Her delicate pieces are based on the world around her and are in part inspired by the women in her family who have shared with her their passion for textiles.

“The concepts in my textile work come from my personal world, from my familiar attachment to sewing, fabric and thread. For smaller pieces I try to find the sensation of fragility. For this reason I use woven paper, threads of bamboo to which I give sculptural form. I protect these tactile pieces through the glass. I try to build a map of emotion.”

Yolanda will be exhibiting at the Cupola Gallery in Sheffield in April 2018; and the Galeria Gravura in Malaga. To find out more visit her Facebook page

Quilter Tara Faughan

     

Images above: A work in progress in Tara’s studio; Double Wedding Ring #2 (2017) in progress; Diamonds Wall Hanging 2016.

 

As any quilter knows, the journey from choosing the fabric to finishing the quilt is a long one. For Tara Faughan most quilts take between 40 – 100 hour, even longer if they are hand sewn.

Each quilt is designed slightly differently.  “Usually I get an idea, and either work out the specifics by making small samples, or by figuring out the math on the computer,” she explains. “I’m at a point where I’m so comfortable with my craft that I can take an

idea and organically translate it into fabric. There is at times a seamless flow from my head through my hands, and it’s such a joy to be able to create in that manner.”  We can’t wait to see what she creates next.

 

www.tarafaughnan.com