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Kate Whitehead

 

Kate Whitehead is the second artist to feature in our Graduate Showcase. This collection is from ‘Not From The Stork’ which challenges the traditional view of what family is. Her Family pieces are handwoven from silk and Back Cloth is printed fabric with embroidery. Kate will be exhibiting at New Designers in London from Wednesday 27th June – Saturday 30th June www.newdesigners.com

Find out more on our Graduate Showcase or visit www.kate-whitehead.co.uk.

GRADUATE SHOWCASE

    

 

Winnie Yeung has just completed her MA in Knitted Textiles from the Royal College of Art and is our first student in our Graduate Showcase. Find out more here

 

(Knitwear by Winnie Yeung. Photographs by Valerie Yuwen Hsieh, Styling by Alex Po)

Kenris MacLeod

We have featured quite a few textile artists who discover their passion for the medium after another career and  Kenris MacCloud is one of them. It was while studying at Edinburgh College of Art after a 15 year career with the BBC that she found her talent for machine embroidery.

“I knew I wanted to create but didn’t know what my medium was. I found myself having to do a module on stitched textiles, the idea of which appalled me due to enforced sewing lessons at school and many struggles with recalcitrant sewing machines! However, I quickly got over my previously ingrained fear and realised that I could use the sewing machine needle as a pencil and draw freehand with thread instead of lead. It felt like a revelation and I was hooked.” 

Twenty One Trees is exhibiting at Art and Vintage in Abbeyhill, Edinburgh until June 24th www.artandvintage-edinburgh.co.uk

 

 

Cas Holmes

Above from left: Work from Tea Flora Tales recently exhibited in Nadelwelt, Germany. The cover of the upcoming book Textile Landscape: Painting with Cloth in Mixed Media (Batsford)

 

Cas Holmes has been a textile artist for over thirty years and her work continues to be exhibited and enjoyed around the world. Her pieces grow organically from her sketchbooks where she records things that interest her, such as her local landscape. “I gather cloth, paste, colours, papers and other found materials together and build layers as I would a painting. I then cut and tear into the layers to see what’s underneath. This is then worked with further paint and machine stitching,” she explains.

This inspiring process is detailed in her new book, Textile Landscape: Painting with Cloth, which is her fourth book for Batsford. A series of linked exhibitions are taking place including a one person show at Rochester Art Gallery in 2019. The natural landscape has always been important to Cas and she started Tea Flora Tales, an ongoing community project to support native habitats and wild flowers at the Knitting and Stitching Show in 2012. Supported by the Embroider’s Guild it is now in its sixth year and returns to the Knitting and Stitching Shows in the UK during Autumn.

Cas is also exhibiting at the Festival of Quilts at the NEC Birmingham in August as part of the textile group Art Textiles Made in Britain. Busy times ahead for this inspiring artist.

 

To find out more about Cas, read her profile page here or visit www.casholmestextiles.co.ukTextile Landscape: Painting with Cloth in Mixed Media (Batsford) is released in September 2018.

 

Diane Meyer’s class photos

    

Images above: Class Two and Class One, Hand Sewn Archival Ink Jet Prints 2018 by Diane Meyer

 

We are all to familiar with posing for the camera but there was a time pre-digital photography where being photographed was a more formal event. This is what has interested Diane Meyer and her she talks about the concept behind her latest series of old elementary school class photographs from the 1970s.

 

” This project will continue my interest in the relationship between photography and memory and is an extension of an earlier project,’ Time Spent That Might Otherwise Be Forgotten’. In the class photographs, the faces of the students, or what would normally be the main focal points of the image, are obscured with cross-stitch embroidery made to resemble the digital pixel structure of the image. By obscuring what would typically be the most important parts of the image, otherwise overlooked details are brought into focus such as body language and the embodiments of social convention. I am interested exploring these details to reveal not only the relationships between the various figures, but also how, even at a very young age, children were taught and instructed to pose in particular ways based on gender. Drawing on the ideas of Roland Barthes in his book Camera Lucida, the project will also explore the ways in which clothing items were carefully chosen by parents to convey a particular impression for peers and future generations. I am interested in this time period not only because it is my own generation, but because it is the last generation to have a childhood unclouded by digital technology. These class pictures were taken before camera phones and digital cameras and at a time when having one’s class picture taken was still a serious and important occasion- something that has been lost on today’s children who are accustomed to their parents photographing them with camera phones repeatedly throughout the day- and thus more susceptible to the impulses of impressions management through pose, body language, dress and other details in the image.” 

 

Find out more at dianemeyer213@gmail.com or to read her profile page click on here

 

Latest news from Kristina D. Aas

     

From left: One Hand In My Pocket and Flay details and full image by Kristina D. Aas and Karina N. Presttun both digital jacquard weave.

 

2018 has already been a busy year for textile artist Kristina D. Aas whom we featured in 2016 (click here to read her interview). Firstly she won first prize at the 8th Annual Juried Exhibition at Gallery 110 in Seattle. And now she has a joint show ‘Garment Exchange.’ with  Karina N. Presttun. The artists met when they were studying at Bergen Academy of Art and Design and they both use textiles in their work. ‘Garment Exchange,’ explores the stories that clothes can have. The pair spent three months on the project which started by exchanging a garment that had significance to each artist. They then wrote a story about the garment and this became the basis for new art works. The results also include videos and textile collages.

Garment Exchange is open Saturday – Sunday 12 – 4pm until 29th April at Galleri Christinegaard in Bergen, Norway www.enterwine.no